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The twin media drive bays on the Ki Pro Ultra allow extremely fast media changes and rollover recording, which allows a recording to start on one media module and seamlessly continue onto the second module once the first has reached capacity. Ki Pro Ultra also offers compatibility with Pak 512 and Pak 256 media, ideal for lower frame rate projects. Pak 1000 is the perfect companion for Ki Pro Ultra offering 1TB of fast SSD media for up to 4K recording at 60p in ProRes HQ. Pak Media is available in a variety of capacities to best suit the demands of your production. Ki Pro Ultra captures directly to rugged and reliable AJA Pak SSD media.

Upon playback, you can utilize the Closed Captioning within a recorded file over Ki Pro Ultra's 4 x 3G-SDI outputs. Ki Pro Ultra recognizes CEA-708 within incoming SDI Inputs and encodes the Closed Captioning to your Apple ProRes recorded file. If you need to record or playout video with Closed Captioning embedded, Ki Pro Ultra is fully compatible with your needs. Monitoring via the headphone jack on the front of the unit is split into easy 2-Channel groupings for on-set checks. Flexible routing options mean that 8-Channel only outputs like HDMI, Analog and Digital carry options for selecting the 8-Channel group required.

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Ki Pro Ultra provides full 16-Channel audio support embedded over SDI or Fiber. Ki Pro Ultra also allows you to select separate quad modes for both in and out, giving an additional conversion feature for when you need it. Set up is easy, with Ki Pro Ultra sensing the format being delivered in its “Follow Input” mode. Ki Pro Ultra supports both Square Division Quad Split format and Two Sample Interleave giving a wide number of options to both record and playback 4K and UltraHD. Frames that are already recorded will be preserved and are recoverable, providing greater peace of mind on set and in the studio. That way, the only loss that should be incurred is the last few frames that were in transit to the media drive to be recorded when the operation was interrupted. While recording, the file header is then continuously updated every time new data is written. The Ki Protect feature automatically pre-allocates recording space on the media drive for video, audio and timecode when the record button is pressed. Ki Pro Ultra includes Ki Protect, a feature that helps to ensure data integrity if a media drive is accidentally removed or loses power during recording.

Full flexibility is provided to format your recording media as either exFAT or HFS+ within Ki Pro Ultra itself or from your desktop computer, ensuring wide OS compatibility. Ki Pro Ultra allows you to use the file system that suits your needs. *Avid DNxHD only supported for 1080 and 720 resolutions

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This provides a native MXF workflow for Avid pipelines, free of transcoding. Record and playback DNxHD files with an OP1a profile within an MXF container for DNxHD HQX (220x), DNxHD SQ (145) and DNxHD LB (36) codecs. Ki Pro Ultra v2.2 firmware offers native Avid MXF support for HD workflows. Next generation UltraHD 60p and 4K 60p recording is attainable all the way up to Apple ProRes HQ when usingīy utilizing Apple ProRes, your project will have the best image quality available, with manageable and affordable This lets you choose the balance of image fidelity and file size that’s right for each individual production as well as having the flexibility to record directly to native file formats that are understood by most major editing systems. Ki Pro Ultra records 4K/UltraHD/2K/HD to five quality levels of Apple ProRes® including Apple ProRes 4444.

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